File:La Madone de São Paulo painting by Alexis Diaz and INTI in São Paulo downtown.jpg
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[edit]DescriptionLa Madone de São Paulo painting by Alexis Diaz and INTI in São Paulo downtown.jpg |
English: Puerto Rican street artist Alexis Diaz recently teamed up with Chilean artist INTI to create a new mural for O.Bra Festival in Sao Paulo, Brazil. Their mural, which took over 1 week to complete, blends the two artist’s distinct imagery: Diaz’s detailed and crosshatched line work with colorful under layers, and INTI’s subjects inspired by life, death and religion, particularly Christianity. It features a surreal split-image of a skeletal robed woman, crowned with flowers and holding up a mechanical-like heart. She is a familiar figure in INTI’s other works, who uses a warm color palette to paint characters representing his Latin culture. Diaz and INTI’s mural was painted just in time for the Brazilian public holiday of Day of the Dead, which was celebrated on November 2nd 2015. Similar to other Day of the Dead celebrations, people go to cemeteries and churches with flowers and candles, and offer prayers. The celebration is intended as a positive honoring of the dead, echoed in the spirit of Diaz and INTI’s piece. At his Facebook, Diaz wrote: ” [I] have the pleasure to enjoy every second of the process along with a great friend, and see the end result of something that was born as natural and fluid, it fills the heart! Very fortunate to have the opportunity to express what I think and feel through art and be able to get it into a wall and more in a big city like Sao Paulo!” [1]
Italiano: Alexis Diaz ed INTI hanno da poco terminato di dipingere la loro parete per l’eccellente O.Bra Festival di São Paulo in Brasile, con questa nuova opera, il duo Sudamericano combina alla perfezione le differenti cifre stilistiche.
La rassegna continua quindi il suo programma di interessanti combo tra artisti di primissimo livello con un opera ricchissima di dettagli e che può essere letta come un personale omaggio alla cultura sudamericana. La pittura combina perfettamente uno dei particolari characters di INTI con le minuziose pennellate di Alexis Diaz. L’artista Cileno realizza una figura femminile caratterizzata dalla consueta attenzione per colori e dettagli grafici. L’autore Portoricano prosegue nel produrre i personali mash-up, nei quali unisce elementi naturali ed organici, attraverso il peculiare e iper dettagliato stile in bianco e nero. Dopo il salto tutti i dettagli di quest’ultima fatica, dateci un occhiata, siamo certi che anche voi come noi non mancherete di apprezzare. [1]Português: Aconteceu em outubro/15 o O.bra Festival no coração de São Paulo com curadoria do Instagrafite. Além do festival ter transformado o Largo do Arouche em um espaço de convivência durante o final de semana do evento, deixou também um legado de 10 murais gigantes em toda a região central de São Paulo realizados pelos maiores grafiteiros do Brasil e do mundo. Cada grafiteiro convidado chamou um colega para colaborar com o mural e assim foi durante 20 dias, sobre plataformas aéreas e laterais enormes e cinzas de prédios da região central, a nossa cidade ficou mais colorida e a reflexão sobre a nossa realidade tomou agora proporções muito maiores.
Os temas escolhidos pelos artistas conversam com a cidade de São Paulo. O mural de Inti e Alexis Diaz localizado ao lado da Praça das Artes foi inspirado no nome do local, Anhangabaú, nome dado pelos índios tupis que significa “água de mau espírito”.[2] |
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Source | Own work | ||
Author | Wilfredor | ||
Permission (Reusing this file) |
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Camera location | 23° 32′ 40.35″ S, 46° 38′ 12.54″ W | View this and other nearby images on: OpenStreetMap | -23.544543; -46.636818 |
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Camera manufacturer | NIKON CORPORATION |
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Camera model | NIKON D300 |
Exposure time | 1/320 sec (0.003125) |
F-number | f/9 |
ISO speed rating | 400 |
Date and time of data generation | 16:23, 27 November 2016 |
Lens focal length | 35 mm |
Width | 4,288 px |
Height | 2,848 px |
Bits per component |
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Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 240 dpi |
Vertical resolution | 240 dpi |
Software used | Adobe Photoshop CS6 (Windows) |
File change date and time | 14:43, 29 January 2017 |
Exposure Program | Normal program |
Exif version | 2.3 |
Date and time of digitizing | 16:23, 27 November 2016 |
APEX shutter speed | 8.321928 |
APEX aperture | 6.33985 |
APEX exposure bias | 0 |
Maximum land aperture | 1.6 APEX (f/1.74) |
Metering mode | Pattern |
Light source | Unknown |
Flash | Flash did not fire |
DateTimeOriginal subseconds | 68 |
DateTimeDigitized subseconds | 68 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Digital zoom ratio | 1 |
Focal length in 35 mm film | 52 mm |
Scene capture type | Standard |
Scene control | Low gain up |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
Subject distance range | Unknown |
Serial number of camera | 2105608 |
Lens used | 35.0 mm f/1.8 |
Date metadata was last modified | 12:43, 29 January 2017 |
Unique ID of original document | 9B7D1FA2004C4B10B6BD63E6417E23CC |
IIM version | 4 |
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27 November 2016
23°32'40.355"S, 46°38'12.545"W
0.003125 second
35 millimetre
400
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